Sweet Tooth Diva Devotions to Go

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Lady Maud leaned back in her corner of the sofa, clasping her hands rather tightly together in her lap. Her white throat flushed as when the light of dawn kisses Parian marble, and the fresh tint in her cheeks deepened softly; her lips were tightly shut, her eyelids quivered a little, and she looked straight before her across the room. Van Torp, after the silence had lasted nearly half a minute.

She pressed her hands to her ears and rose at the same instant. Perhaps it was she, after all, and not her friend who had been brought suddenly to a great cross-road in life.

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She stood still one moment by the sofa without looking down at her companion; then she left the room abruptly, and shut the door behind her. But he said no more, for he was much too reticent and sensible a person to talk to himself audibly even when he was alone, and much too cautious to be sure that a servant might not be within hearing, though the door was shut.

He stood before the window nearly a quarter of an hour, thinking that Lady Maud might come back, but as no sound of any step broke the silence he understood that he was not to see her again that day, and he quietly let himself out of the house and went off, not altogether discontented with the extraordinary impression he had made. Lady Maud sat alone upstairs, so absorbed in her thoughts that she did not hear the click of the lock as he opened and shut the front door.

She was much more amazed at herself than surprised by the offer he had made. Temptation, in any reasonable sense of the word, had passed by her in life, and she had never before understood what it could mean to her. Indeed, she had thought of herself very little of late, and had never had the least taste for self-examination or the analysis of her conscience. She had done much good, because she wanted to do it, and not at all as a duty, or with that idea of surprising the Deity by the amount of her good works, which actuates many excellent persons. Her labours had taken her to strange places, and she knew what real sin was, and even crime, and the most hideous vice, and its still more awful consequences; but one reason why she had wrought fearlessly was that she felt herself naturally invulnerable.

She knew a good many people in her own set whom she thought quite as bad as the worst she had ever picked up on the dark side of the Virtue-Curtain; they were people who seemed to have no moral sense, men who betrayed their wives wantonly, young women who took money for themselves and old ones who cheated at bridge, men who would deliberately ruin a rival in politics, in finance, or in love, and ambitious women who had driven their competitors to despair and destruction by a scientific use of calumny.

But she had never felt any inclination towards any of those things, which all seemed to her disgusting, or cowardly, or otherwise abominable. Her husband had gone astray after strange gods—and goddesses—but she had never wished to be revenged on them, or him, nor to say what was not true about any one, nor even what was true and could hurt, nor to win a few sovereigns at cards otherwise than fairly, nor to wish anybody dead who had a right to live. It was real temptation. The man who offered her a million pounds to save miserable wretches from a life of unspeakable horror, could offer her twice as much, four, five, or ten millions perhaps.

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No one knew the vast extent of his wealth, and in an age of colossal fortunes she had often heard his spoken of with the half-dozen greatest. The worst of it was that she felt able to do what he asked; for she was inwardly convinced that the great singer did not know her own mind and was not profoundly attached to the man she had accepted. Of the two women, Margaret was by far the weaker character; or, to be just, the whole strength of her nature had long been concentrated in the struggle for artistic supremacy, and could not easily be brought to exert itself in other directions.

Lady Maud's influence over her was great, and Logotheti's had never been very strong. She was taken by his vitality, his daring, his constancy, or obstinacy, and a little by his good looks, as a mere girl might be, because the theatre had made looks seem so important to her. But apart from his handsome face, Logotheti was no match for Van Torp. Of that Lady Maud was sure. Besides, the Primadonna's antipathy for the American had greatly diminished of late, and had perhaps altogether given place to a friendly feeling. She had said openly that she had misjudged him, because he had pestered her with his attentions in New York, and that she even liked him since he had shown more tact.

That was the worst of it. She felt that it was probably not beyond her power to bring about what Van Torp desired, at least so far as to induce Margaret to break off the engagement which now blocked his way. Under cover of roughness, too, he had argued with a subtlety that frightened her now that she was alone; and with a consummate knowledge of her nature he had offered her the only sort of bribe that could possibly tempt her, the means to make permanent the good work she had already carried so far.

He had placed her in such a dilemma as she had never dreamed of. To accept such an offer as he made, would mean that she must do something which she felt was dishonourable, if she gave 'honour' the meaning an honest gentleman attaches to it, and that was the one she had learned from her father, and which a good many women seem unable to understand.

To refuse, was to deprive hundreds of wretched and suffering creatures of the only means of obtaining a hold on a decent existence which Lady Maud had ever found to be at all efficacious. She knew that she had not done much, compared with what was undone; it looked almost nothing. But where law-making had failed altogether, where religion was struggling bravely but almost in vain, where enlightened philanthropy found itself paralysed and bankrupt, she had accomplished something by merely using a little money in the right way.

Van Torp's rough-hewn speech rang through her head, and somehow its reckless grammar gave it strength and made it stick in her memory, word for word. In the drawer of the writing-table before which she was sitting there was a little file of letters that meant more to her than anything else in the world, except one dear memory. They were all from women, they all told much the same little story, and it was good to read.

She had made many failures, and some terrible ones, which she could never forget; but there were real successes, too, there were over a dozen of them now, and she had only been at work for three years. If she had more money, she could do more; if she had much, she could do much; and she knew of one or two women who could help her.

What might she not accomplish in a lifetime with the vast sum her friend offered her! She knew what temptation meant, now, and she was to know even better before long. The Primadonna had said that she was going to marry Logotheti chiefly because he insisted on it. The duel for Margaret's hand had begun; Van Torp had aimed a blow that might well give him the advantage if it went home; and Logotheti himself was quite unaware of the skilful attack that threatened his happiness.

A few days after she had talked with Lady Maud, and before Mr. Van Torp's arrival, Margaret had gone abroad, without waiting for the promised advice in the matter of the wedding-gown. With admirable regard for the proprieties she had quite declined to let Logotheti cross the Channel with her, but had promised to see him at Versailles, where she was going to stop a few days with her mother's old American friend, the excellent Mrs.

Rushmore, with whom she meant to go to Bayreuth to hear Parsifal for the first time. Rushmore had disapproved profoundly of Margaret's career, from the first. After Mrs. Donne's death, she had taken the forlorn girl under her protection, and had encouraged her to go on with what she vaguely called her 'music lessons.

She called Margaret her 'chickabiddy' and spread a motherly wing over her, without the least idea that she was rearing a valuable lyric nightingale that would not long be content to trill and quaver unheard. Immense and deserved success had half reconciled the old lady to what had happened, and after all Margaret had not married an Italian tenor, a Russian prince, or a Parisian composer, the three shapes of man which seemed the most dreadfully immoral to Mrs.

She would find it easier to put up with Logotheti than with one of those, though it was bad enough to think of her old friend's daughter marrying a Greek instead of a nice, clean Anglo-Saxon, like the learned Mr. Donne, the girl's father, or the good Mr. Rushmore, her lamented husband, who had been an upright pillar of the church in New York, and the president of a Trust Company that could be trusted.

After all, though she thought all Greeks must be what she called 'designing,' the name of Konstantin Logotheti was associated with everything that was most honourable in the financial world, and this impressed Mrs. Rushmore very much. Her harmless weakness had always been for lions, and none but the most genuine ones were allowed to roar at her garden-parties or at her dinner table.

When the Greek financier had first got himself introduced to her more than two years earlier, she had made the most careful inquiries about him and had diligently searched the newspapers for every mention of him during a whole month. The very first paragraph she had found was about a new railway which he had taken under his protection, and the writer said that his name was a guarantee of good faith. One of the maxims she had learned in her youth, which had been passed in the Golden Age of old New York, was that 'business was a test of character. Rushmore used to say that, so it must be true, she thought; and indeed the excellent man might have said with equal wisdom that long-continued rain generally produces dampness.

He would have turned in his well-kept grave if he could have heard a Wall Street cynic say that nowadays an honest man may get a bare living, and a drunkard has been known to get rich, but that integrity and whisky together will inevitably land anybody in the workhouse. Logotheti was undoubtedly considered honest, however, and Mrs. Rushmore made quite sure of it, as well as of the fact that he had an immense fortune. So far as the cynic's observation goes, it may not be equally applicable everywhere, any more than it is true that all Greeks are blacklegs, as the Parisians are fond of saying, or that all Parisians are much worse, as their own novelists try to make out.

If anything is more worthless than most men's opinion of themselves, it is their opinion of others, and it is unfortunately certain that the people who understand human nature best, and lead it whither they will, are not those that labour to save souls or to cure sickness, but demagogues, quacks, fashionable dressmakers, and money-lenders. Rushmore was a judge of lions, but she knew nothing about humanity. If she could have gone directly from Covent Garden to another engagement, the other self would not have waked up just then; but she meant to take a long holiday, and in order not to miss the stage too much, it was indispensable to forget it for a while.

She travelled incognito. That is to say, she had sent her first maid and theatrical dresser Alphonsine to see her relations in Nancy for a month, and only brought the other with her; she had, moreover, caused the stateroom on the Channel boat to be taken in the name of Miss Donne, and she brought no more luggage to Versailles than could be piled on an ordinary cart, whereas when she had last come from New York her servants had seen eighty-seven pieces put on board the steamer, and a hat-box had been missing after all.

She was very glad to come back. As soon as they were alone in the cool drawing-room, Mrs. Rushmore asked her about her engagement in a tone of profound concern, as though it were a grave bodily ailment which might turn out to be fatal. But don't ask me, please. I've come home—this is always home for me, isn't it? Rushmore in a tone of deep relief. She was losing no time; and Margaret laughed again, though she put her head a little on one side with an expression of doubt. Rushmore's delight was touching, for she could almost feel that Margaret had come to see her quite for her own sake, whereas she had pictured the 'child,' as she still called the great artist, spending most of her time in carrying on inaudible conversations with Logotheti under the trees in the lawn, or in the most remote corners of the drawing-room; for that had been the accepted method of courtship in Mrs.

Rushmore's young days, and she was quite ignorant of the changes that had taken place since then. Half-an-hour later, Margaret was in her old room upstairs writing a letter, and Mrs. Rushmore had given strict orders that until further notice Miss Donne was 'not at home' for any one at all, no matter who might call. When the letter already covered ten pages, Margaret laid down her pen and without the least pause or hesitation tore the sheets to tiny bits, inking her fingers in the process because the last one was not yet dry.

But I quite forgot you were there, Potts, or I probably should not have said it aloud. Margaret had two maids, who were oddly suited to her two natures. She had inherited Alphonsine from her friend the famous retired soprano, Madame Bonanni, and the cadaverous, clever, ill-tempered, garrulous dresser was as necessary to Cordova's theatrical existence as paint, limelight, wigs, and an orchestra. The English Potts, the meek, silent, busy, and intensely respectable maid, continually made it clear that her mistress was Miss Donne, an English lady, and that Madame Cordova, the celebrated singer, was what Mr.

Van Torp would have called 'only a side-show. Potts was quite as much surprised when she heard Miss Donne calling herself a wicked woman as Alphonsine would have been if she had heard Madame Cordova say that she sang completely out of tune, a statement which would not have disturbed the English maid's equanimity in the very least. It might have pleased her, for she always secretly hoped that Margaret would give up the stage, marry an English gentleman with a nice name, and live in Hans Crescent or Cadogan Gardens, or some equally smart place, and send Alphonsine about her business for ever.

For the English maid and the French maid hated each other as whole-heartedly as if Cressy or Agincourt had been fought yesterday. Potts alluded to Alphonsine as 'that Frenchwoman,' and Alphonsine spoke of Potts as 'l'Anglaise,' with a tone and look of withering scorn, as if all English were nothing better than animals. Nevertheless, each of the two was devoted to Margaret, and they were both such excellent servants that they never quarrelled or even exchanged a rude word—to Margaret's knowledge.

They treated each other with almost exaggerated politeness, calling each other respectively 'Meess' and 'Mamzell'; and if Alphonsine's black eyes glared at Potts now and then, the English maid put on such an air of sweetly serene unconsciousness as a woman of the world might have envied. The letter that had been torn up before it was finished was to have gone to Lady Maud, but Margaret herself had been almost sure that she would not send it, even while she was writing.

She had poured out her heart, now that she could do so with the consoling possibility of destroying the confession before any one read it. She had made an honest effort to get at the truth about herself by writing down all she knew to be quite true, as if it were to go to her best friend; but as soon as she realised that she had got to the end of her positive knowledge and was writing fiction—which is what might be true, but is not known to be—she had the weakness to tear up her letter, and to call herself names for not knowing her own mind, as if every woman did, or every man either.

She had written that she did not really care for him in that way; that when he was near she could not resist a sort of natural attraction he had for her, but that as soon as he was gone she felt it no longer and she wished he would not come back; that his presence disturbed her and made her uncomfortable, and, moreover, interfered with her art; but that she had not the courage to tell him so, and wished that some one else would do it for her; that he was not really the sort of man she could ever be happy with; that her ideal of a husband was so and so, and this and that—and here fiction had begun, and she had put a stop to it by destroying the whole letter instead of crossing out a few lines,—which was a pity; for if Lady Maud had received it, she would have told Mr.

Van Torp that he needed no help from her since Margaret herself asked no better than to be freed from the engagement. Logotheti did not come out to Versailles that afternoon, because he was plentifully endowed with tact where women were concerned, and he applied all the knowledge and skill he had to the single purpose of pleasing Margaret. But before dinner he telephoned and asked to speak with her, and this she could not possibly refuse. I came by Boulogne—decent of me, wasn't it? You must be sick of seeing me all the time, so I shall give you a rest for a day or two. Telephone whenever you think you can bear the sight of me again, and I'll be with you in thirty-five minutes.

I shall not stir from home in this baking weather. If you think I'm in mischief you're quite mistaken, dear lady, for I'm up to my chin in work!

But you're quite right, I don't want to see you a little bit, and I'm not jealous, nor suspicious, nor anything disagreeable. So there! What sort of work are you doing? It's only idle curiosity, so don't tell me if you would rather not! Have you got a new railway in Brazil, or an overland route to the other side of beyond? You must be awfully hard up for something to do! But you're not going to travel from Constantinople to the Pacific Ocean——'. I'm sure there must be some Tartars.

I might meet one, and it would be amusing to be able to talk to him. He said something in a language Margaret did not understand, and another voice answered him at once in the same tongue. Margaret started slightly and bent her brows with a puzzled and displeased look. Do you mind telling me how old she is? Again she heard him speak a few incomprehensible words, which were answered very briefly in the same tongue.

How is Mrs. I forgot to ask. Come to-morrow if you like. But please tell me how you happened to pick up that young Tartar. It sounds so interesting! He has such a sweet voice. There was no reply to this question, and Margaret could not get another word from Logotheti. The communication was apparently cut off.

She rang up the Central Office and asked for his number again, but the young woman soon said that she could get no answer to the call, and that something was probably wrong with the instrument of Number One-hundred-and-six-thirty-seven. Rushmore asked if anything was the matter. Rushmore was quite of the same opinion, and it was still early when she declared that she herself was sleepy and that Margaret had much better go to bed and get a good night's rest.

But when the Primadonna was sitting before the glass and her maid was brushing out her soft brown hair, she was not at all drowsy, and though her eyes looked steadily at their own reflection in the mirror, she was not aware that she saw anything. But Margaret said no more for several moments. She enjoyed the sensation of having her hair brushed; it made her understand exactly how a cat feels when some one strokes its back steadily, and she could almost have purred with pleasure as she held her handsome head back and moved it a little in real enjoyment under each soft stroke.

When I was last at home I was mistaken in that way about my own brother, for I heard him calling to me from downstairs, and I took him for my sister Milly. That's interesting! How old is he? He's a song-man at the cathedral, ma'am. Yet even so, at the moment before waking in the morning, she dreamt that she was at the telephone again, and that words in a strange language came to her along the wire in a soft and caressing tone that could only be a woman's, and that for the first time in all her life she knew what it was to be jealous.

The sensation was not an agreeable one. The dream-voice was silent as soon as she opened her eyes, but she had not been awake long without realising that she wished very much to see Logotheti at once, and was profoundly thankful that she had torn up her letter to Lady Maud. She was not prepared to admit, even now, that Konstantin was the ideal she should have chosen for a husband, and whom she had been describing from imagination when she had suddenly stopped writing. But, on the other hand, the mere thought that he had perhaps been amusing himself in the society of another woman all yesterday afternoon made her so angry that she took refuge in trying to believe that he had spoken the truth and that she had really been mistaken about the voice.

It was all very well to talk about learning Tartar! How could she be sure that it was not modern Greek, or Turkish? She could not have known the difference. Was it so very unlikely that some charming compatriot of his should have come from Constantinople to spend a few weeks in Paris? Besides, supposing that the language was really Tartar—were there not Russians who spoke it? She thought there must be, because she had a vague idea that all Russians were more or less Tartars. There was a proverb about it. Moreover, to the English as well as to the French, Russians represent romance and wickedness.

She would not go to the telephone herself, but she sent a message to Logotheti, and he came out in the cool time of the afternoon. She thought he had never looked so handsome and so little exotic since she had known him. To please her he had altogether given up the terrific ties, the lightning-struck waistcoats, the sunrise socks, and the overpowering jewellery he had formerly affected, and had resigned himself to the dictation of a London tailor, who told him what he might, could, should, and must wear for each circumstance and hour of daily life, in fine gradations, from deer-stalking to a royal garden-party.

Think how he used to look! And now you might almost take him for an American gentleman! He was received by Mrs. Rushmore and Margaret together, and he took noticeable pains to make himself agreeable to the mistress of the house. At first Margaret was pleased at this; but when she saw that he was doing his best to keep Mrs. Rushmore from leaving the room, as she probably would have done, Margaret did not like it. She was dying to ask him questions about his lessons in Tartar, and especially about his teacher, and she probably meant to cast her inquiries in such a form as would make it preferable to examine him alone rather than before Mrs.

Rushmore; but he talked on and on, only pausing an instant for the good lady's expressions of interest or approval. With diabolical knowledge of her weakness he led the conversation to the subject of political and diplomatic lions, and of lions of other varieties, and made plans for bringing some noble specimens to tea with her. She was not a snob; she distrusted foreign princes, marquises, and counts, and could keep her head well in the presence of an English peer; but lions were irresistible, and Logotheti offered her a whole menagerie of them, and described their habits with minuteness, if not with veracity.

He was telling her what a Prime Minister had told an Ambassador about the Pope, when Margaret rose rather abruptly. Rushmore, by way of apology, 'but I really must have a little air. I've not been out of the house all day. Rushmore understood, and was not hurt, though she was sorry not to hear more. The 'dear child' should go out, by all means. Would Monsieur Logotheti stay to dinner? She was sorry. She had forgotten that she had a letter to write in time for the afternoon post.

So she went off and left the two together. Margaret led the way out upon the lawn, and they sat down on garden chairs under a big elm-tree. She said nothing while she settled herself very deliberately, avoiding her companion's eyes till she was quite ready, and then she suddenly looked at him with a sort of blank stare that would have disconcerted any one less superlatively self-possessed than he was.

It was most distinctly Madame de Cordova, the offended Primadonna, that spoke at last, and not Miss Margaret Donne, the 'nice English girl. He opened his almond-shaped eyes a little wider, with an excellent affectation of astonishment at her words and manner. Margaret looked at him a moment longer, and then turned her head away in silence, as if scorning to answer such a silly question. The look of surprise disappeared from his face, and he became very gloomy and thoughtful but said nothing more.

Possibly he had brought about exactly what he wished, and was satisfied to await the inevitable result. It came before long. I suppose you didn't realise it. And now, this afternoon, you have evidently been doing your best to keep Mrs. Rushmore from leaving us together. You would still be telling her stories about people if I hadn't obliged you to come out! There's no other explanation, and it's not a very flattering one, is it? How can you deny it?

You often tell me that I make you think of the Victory in the Louvre——'.

You know quite as much as she ever did, you are a much better musician, and you began with a better voice. Therefore you sing better. I maintain it. Who is this Eastern woman? Come, be frank. She is some one from Constantinople, isn't she? A Fanariote like yourself, I daresay—an old friend who is in Paris for a few days, and would not pass through without seeing you. Say so, for heaven's sake, and don't make such a mystery about it! But I didn't. Margaret was rapidly becoming exasperated, her eyes flashed, her firm young cheeks reddened handsomely, and her generous lips made scornful curves.

The words had a fierce ring; he glanced at her quickly and saw how well her look agreed with her tone.

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She was very angry. It's something quite different from boredom that I feel, I assure you! No one can describe the tone of indignant contempt in which a thoroughly jealous woman disclaims the least thought of jealousy with a single word; a man must have heard it to remember what it is like, and most men have. Logotheti knew it well, and at the sound he put on an expression of meek innocence which would have done credit to a cat that had just eaten a canary. Please forgive me! This was such an obvious misinterpretation of his words that she stopped short and bit her lip.

He sighed audibly, as if he were very sorry that he could do nothing to appease her, but this only made her feel more injured. She made an effort to speak coldly. That is why you were angry just now. Nothing could have been easier than for me to say that I was busy with one of the matters you suggested. This certainly looked like the feminine retort-triumphant, and Margaret delivered it in a cutting tone. There was no Tartar lesson, there was no Tartar teacher, and it was all a fabrication of my own! I should like to see "him"! I should like to see the colour of "his" eyes and hair!

He is a smallish chap, good-looking, with hands and feet like a woman's. I noticed that. As I told you, a doubt occurred to me at once, and I will not positively swear that it is not a girl after all. He, or she, is really a Tartar from Central Asia, and I know enough of the language to say what was necessary. He—or she—came on a matter of business. What I said about a teacher was mere nonsense. Now you know the whole thing. He was recommended to me by a man in Constantinople. He came to Marseilles on a French steamer with two Greek merchants who were coming to Paris, and they brought him to my door.

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That is the whole story. And here is the ruby.

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I bought it for you, because you like those things. Will you take it? He held out what looked like a little ball of white tissue-paper, but Margaret turned her face from him. She was almost frightened at the thought that she might be going to cry, out of sheer mortification. Logotheti said nothing for a moment. He began to unroll the paper from the precious stone, but changed his mind, wrapped it up again, and put it back into his watch-pocket before he spoke. She turned her eyes without moving her head, till she could just see that he was leaning forward, resting his wrists on his knees, bending his head, and apparently looking down at his loosely hanging hands.

His attitude expressed dejection and disappointment. She was glad of it. He had no right to think that he could make her as angry as she still was, angry even to tears, and then bribe her to smile again when he was tired of teasing her. Her eyes turned away again, and she did not answer him.

When I am with you I cannot be always thinking of what I say. It's too much to ask, when a man is as far gone as I am! Yesterday I wrote a long letter to a friend, and then I suddenly tore it up—there were ever so many pages! I daresay that if I had written just the same letter this morning, I should have sent it. If that is not caprice, what is it? I never ask myself questions about what I do. I hate people who are always measuring their wretched little souls and then tinkering their consciences to make them fit!

I don't believe I wish to do anything really wrong, and so I do exactly what I like, always!

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